Tag Archives: descartes

Victor Vasarely

Tophane-i Amire

Tophane-i Amire, 2017.03.25

Last week I wrote about the Turkish Impressionist Feyhaman Duran, born in 1886. Now my subject is the Hungarian-French Op Artist born twenty years later as Győző Vásárhelyi. His “Rétrospective en Turquie” is at the Tophane-i Amire Culture and Art Center in an Ottoman cannon foundry.

Vasarely show

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Nature and Death

Thoughts on mortality and the evolution of the universe, occasioned by a funeral and by Collingwood’s Idea of Nature and Plato’s Phaedo

Cebeci, Ankara, 2016.05.17

When the husband of my second-grade teacher died, I wanted to pay my respects. My father took me to the funeral home, where I hid behind him as he greeted the family of the deceased. My teacher was not among them. When invited to view the body, I looked over and saw it, lying off to the side in an open casket. I had never seen the man when he was alive. I declined the opportunity to gaze at his lifeless form. Until I came to Turkey, this was my closest approach to the materiality of death—except for a visit to the medical school of the University of New Mexico in Albuquerque. There, as part of the laboratory program at St John’s College in Santa Fe, students viewed dissected human cadavers.

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Bosphorus Sky

This is about the morning of Thursday, December 18, 2014, a morning I spent by the Bosphorus, thinking mostly about poetry, and photographing the sky.

DSC01811

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Cogito ne demek?

Why the late Geoffrey Lewis’s Turkish Grammar (2d ed., Oxford, 2000) is exceptional:

At the beginning of a clause demek, demek ki, or demek oluyor ki (‘it becomes to say’) signifies ‘that is to say’: düşünüyorum, demek ki varım ‘I am thinking, which means I exist.’ (This Turkish translation of Descartes’ Cogito ergo sum is right—‘I am thinking’—and the usual English version—‘I think’—is wrong.)


I sent the foregoing to Facebook this morning, but this was not the best medium for the typographical features of boldface, italics, directional quotation marks, and indented quotations.

I had been aware that Lewis had died, Continue reading

NL V: “The Ambiguity of Feeling”

Index to this series

Feeling differs from thought. Thought is founded in feeling; thought is erected on feeling; thought needs feeling. Thought needs feelings that are strong enough to support it. But thought itself is not strong (or weak); it has (or can have) other properties, like precision and definiteness. Thought can be remembered and shared in a way that feeling cannot.

The New Leviathan is a work of thought. It might be said that a work of thought cannot properly explain feeling. Collingwood more or less says this in Chapter V, even in its very title: “The Ambiguity of Feeling.” Continue reading

NL III: “Body As Mind”

Index to this series

In Chapter I of The New Leviathan, we stipulated that natural science, the “science of body,” must be free to pursue its own aims. But we ourselves are doing science of mind, and:

1. 85. The sciences of mind, unless they preach error or confuse the issue by dishonest or involuntary obscurity, can tell us nothing but what each can verify for himself by reflecting on his own mind.

All of us can be scientists of mind, if only we are capable of reflection: Continue reading

NL II: “The Relation Between Body and Mind”

Index to this series

I continue making notes on The New Leviathan (1942) of R. G. Collingwood (1889–1943). Now my main concern is with the second chapter, “The Relation Between Body and Mind”; but again I shall range widely.

Preliminaries

Some writers begin with an outline, which they proceed to fill out with words. At least, they do this if they do what they are taught in school:

He showed how the aspect of Quality called unity, the hanging-togetherness of a story, could be improved with a technique called an outline. The authority of an argument could be jacked up with a technique called footnotes, which gives authoritative reference. Outlines and footnotes are standard things taught in all freshman composition classes, but now as devices for improving Quality they had a purpose.

Thus Robert Pirsig, Zen and the Art of Motorcycle Maintenance, ch. 17. Does anybody strictly follow the textbook method? Continue reading

NL I: “Body and Mind”

“Body and Mind” is the opening chapter of Collingwood’s New Leviathan. The chapter is a fine work of rhetoric that could stand on its own, though it invites further reading. In these respects it resembles the first of the ten traditional books of Plato’s Republic, or even the first of the thirteen books of Euclid’s Elements. The analogy with Euclid becomes a bit tighter when we consider that each chapter of The New Leviathan is divided into short paragraphs, which are numbered sequentially for ease of reference.

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